| Pos | Horse | Jockey | Trainer | SP | OR | Dist |
|---|---|---|---|---|---|---|
| 1 | Arry Up (GB) | Lewis Edmunds | Rod Millman | 3/1F | 65 | - |
| OR: 65 RPR: 74 Prominent - led after 1f - jinked right 2f out - soon ridden and faced challenge - kept on from 1f out - ridden out(op 9/2 tchd 10/3) | ||||||
| 2 | Runamara (IRE) | Charles Bishop | John & Rhys Flint | 16/1 | 59 | 3 |
| OR: 59 RPR: 55 Took keen hold - led - headed and raced in second after 1f - pressed winner over 1f out - no extra final 110yds(op 14/1 tchd 18/1) | ||||||
| 3 | Anorah Unleashed (IRE) | Hollie Doyle | Dr Richard Newland & Jamie Insole | 33/1 | 59 | .75 |
| OR: 59 RPR: 53 Headgear: P Ducked left start - prominent - outpaced under 2f out - rallied final 110yds - went third towards finish | ||||||
| 4 | Corniche Girl (IRE) | Sean Levey | Richard Hannon | 5/1 | 63 | 0.3 |
| OR: 63 RPR: 56 In touch with leaders - went third under 2f out - no extra and lost third towards finish(op 9/2) | ||||||
| 5 | Madman (GB) | Alec Voikhansky | Tom Ward | 4/1 | 62 | 0.3 |
| OR: 62 RPR: 54 Headgear: TV Midfield - steady headway from 1f out - not pace to challenge(op 6/1) | ||||||
| 6 | Lovethiswayagain (IRE) | Billy Loughnane | Ollie Sangster | 7/1 | 65 | 1 |
| OR: 65 RPR: 53 Ducked left start - towards rear - headway from 1f out - never dangerous | ||||||
| 7 | Uniter (GB) | Oisin Murphy | Denis Coakley | 11/2 | 65 | 0.05 |
| OR: 65 RPR: 53 Slowly into stride - towards rear - some headway from 2f out - no impression from 1f out (jockey said gelding was slowly into stride)(op 4/1) | ||||||
| 8 | Stock Market (GB) | Rossa Ryan | Tony Carroll | 14/1 | 62 | 0.3 |
| OR: 62 RPR: 49 Never better than midfield(op 8/1) | ||||||
| 9 | Fullstop (IRE) | Kieran O'Neill | Grace Harris | 7/1 | 62 | 0.2 |
| OR: 62 RPR: 49 Headgear: T Pulled hard - in touch with leaders - weakened over 1f out (jockey said gelding ran too free)(op 8/1 tchd 17/2) | ||||||
| 10 | Chhota Saab (GB) | Jack Callan | S Woods | 20/1 | 65 | 9.5 |
| OR: 65 RPR: 21 Slowly away - in rear throughout(op 16/1) | ||||||