| Pos | Horse | Jockey | Trainer | SP | OR | Dist |
|---|---|---|---|---|---|---|
| 1 | Golden Sands (IRE) | Alistair Rawlinson | Michael Appleby | 11/2 | 75 | - |
| OR: 75 RPR: 84 Headgear: HP Took keen hold - made all - clear after 2f - ridden over 1f out - kept on well(op 7/1 tchd 17/2) | ||||||
| 2 | Crown Princess (IRE) | Graham Lee | Ollie Pears | 5/1 | 72 | 3 |
| OR: 72 RPR: 74 Raced in second - no chance with winner from over 1f out - kept on(op 9/2) | ||||||
| 3 | Poet's Dawn (GB) | David Allan | Tim Easterby | 11/1 | 71 | 0.3 |
| OR: 71 RPR: 73 Midfield - in touch with leaders 3f out - went third over 1f out - kept on(op 9/1) | ||||||
| 4 | Scotch Mistress (GB) | Daniel Tudhope | David O'Meara | 16/1 | 80 | 1.25 |
| OR: 80 RPR: 79 Headgear: T Ran in snatches - in rear - cajoled along 4f out - bit short of room but headway from over 2f out - ridden and kept on when in the clear final furlong(op 14/1) | ||||||
| 5 | Casilli (GB) | Joanna Mason | Michael & David Easterby | 5/2F | 81 | 0.3 |
| OR: 81 RPR: 79 Slowly away - in rear - switched left and on outer 2f out - stayed on final furlong - no impression | ||||||
| 6 | Shaladar (FR) | Tom Eaves | Kevin Ryan | 9/2 | 82 | 1.25 |
| OR: 82 RPR: 78 Headgear: P Midfield - in touch with leaders 3f out - weakened final furlong(op 4/1) | ||||||
| 7 | War Defender (GB) | Duran Fentiman | Tim Easterby | 28/1 | 63 | 4 |
| OR: 63 RPR: 50 Headgear: T Awkward start and slowly away - raced wide - took keen hold - in rear - prominent after 2f - weakened from 3f out(op 33/1 tchd 40/1) | ||||||
| 8 | Captain Corelli (IRE) | Jason Hart | Julie Camacho | 11/1 | 67 | 1 |
| OR: 67 RPR: 52 Prominent - weakened from 2f out(op 17/2 tchd 12/1) | ||||||
| 9 | Dandy Maestro (GB) | Tom Marquand | Richard Spencer | 8/1 | 75 | 4 |
| OR: 75 RPR: 51 Headgear: B Always behind (trainer's rep said - regarding the poor form shown - that gelding would prefer a softer surface than today's going - which was officially described as good to firm - good in places - and was also unsuited by the tightness of the track)(op 7/1) | ||||||