| Pos | Horse | Jockey | Trainer | SP | OR | Dist |
|---|---|---|---|---|---|---|
| 1 | Snapaudaciaheros (IRE) | Charlie Maggs | Rebecca Menzies | 6/1 | 79 | - |
| OR: 79 RPR: 77 Headgear: TP Prominent on outer - pushed along before last - rallied run-in - ridden to lead inside final 110yds - kept on(tchd 5/1 and tchd 13/2) | ||||||
| 2 | She's Notjoeking (GB) | Conner McCann | Lucinda Russell & Michael Scudamore | 2/1F | 100 | .75 |
| OR: 100 RPR: 100 Led - set steady pace - pestered 2 out - 3 lengths ahead last - idled run-in - headed inside final 110yds - rallied towards finish(op 3/1) | ||||||
| 3 | Out On Her Own (GB) | Peter Kavanagh | Dianne Sayer | 5/1 | 79 | 0.2 |
| OR: 79 RPR: 76 Towards rear on inner - outpaced and dropped to last 3 out - rallied before last - went third inside final 110yds - nearest finish(op 15/2) | ||||||
| 4 | My My My Delilah (GB) | Sean Quinlan | Stuart Coltherd | 12/1 | 87 | 1 |
| OR: 87 RPR: 85 Headgear: T Prominent on inner - not fluent 3rd - lost position 2 out - no extra when not fluent last - weakened inside final 110yds | ||||||
| 5 | Theirshegoes (IRE) | Patrick Wadge | Sandy Thomson | 50/1 | 95 | 0.3 |
| OR: 95 RPR: 91 Headgear: P In touch with leaders - outpaced 2 out - rallied but edged right before last - kept on run-in - not pace to challenge(op 25/1) | ||||||
| 6 | Rose's Dart (GB) | Jamie Hamilton | Michael & David Easterby | 11/1 | 101 | 6 |
| OR: 101 RPR: 91 Headgear: T In touch with leaders - prominent 3rd - weakened after 2 out - no chance before last(op 10/1 tchd 12/1) | ||||||
| 7 | Dee's Getaway (IRE) | Edward Austin | George Bewley | 13/2 | 105 | 2.75 |
| OR: 105 RPR: 92 Headgear: T Towards rear on outer - steady headway after 3 out - in touch with leaders 2 out - weakened before last(op 7/1 tchd 6/1) | ||||||
| 8 | Gintime (IRE) | Danny McMenamin | Nicky Richards | 100/30 | 104 | 1.25 |
| OR: 104 RPR: 91 Held up in rear - not fluent 4th - steady headway and in touch with leaders 2 out - soon weakened - lost touch before last (trainer could offer no explanation for the poor form shown)(op 15/8) | ||||||