| Pos | Horse | Jockey | Trainer | SP | OR | Dist |
|---|---|---|---|---|---|---|
| 1 | Rubaud (FR) | Harry Cobden | Paul Nicholls | 9/4 | 147 | - |
| OR: 147 RPR: 149 Led - headed 4th - led again 5th - pushed along and faced challenge 2 out - ridden and kept on approaching last - ran on well run-in - comfortably(op 7/4) | ||||||
| 2 | Kihavah (GB) | Robert Dunne | Adrian Paul Keatley | 7/2 | 131 | 7.5 |
| OR: 131 RPR: 139 Headgear: T Towards rear - in touch with leaders 5th - smooth headway 3 out - pressed leader 2 out - hung left approaching last - weakened gradually run-in(op 5/1) | ||||||
| 3 | Authorized Art (FR) | Niall Houlihan | Gary & Josh Moore | 28/1 | 143 | 1.75 |
| OR: 143 RPR: 136 In touch with leaders - outpaced and dropped to rear 3 out - rallied approaching last - stayed on and went third run-in(op 20/1) | ||||||
| 4 | First Street (GB) | Nico de Boinville | Nicky Henderson | 7/1 | 140 | 2.5 |
| OR: 140 RPR: 134 Headgear: T Held up in rear - steady headway after 3 out - not fluent and outpaced 2 out - kept on but no impression run-in(op 6/1) | ||||||
| 5 | Glory And Fortune (IRE) | Stan Sheppard | Tom Lacey | 33/1 | 136 | 2.75 |
| OR: 136 RPR: 133 Headgear: HT Held up in rear - steady headway after 3 out - went third after 2 out - awkward jump last - weakened run-in(tchd 28/1) | ||||||
| 6 | Carrigeen Kampala (IRE) | Jonathan Burke | Fergal O'Brien | 18/1 | 125 | 6.5 |
| OR: 125 RPR: 118 Headgear: T Took keen hold - pressed leader - led 4th - headed 5th - mistake 3 out - lost position before 2 out - weakened approaching last(op 40/1 tchd 50/1) | ||||||
| 7 | Parramount (GB) | Lilly Pinchin | Charlie Longsdon | 50/1 | 124 | 6 |
| OR: 124 RPR: 119 Headgear: P Prominent - pressed leader briefly after 3 out - lost position before 2 out - weakened approaching last | ||||||
| PU | Casa No Mento (GB) | Sam Twiston-Davies | Nigel Twiston-Davies | 7/4F | 138 | - |
| OR: 138 RPR: – In touch with leaders - bad mistake 1st - weakened quickly before 2 out - pulled up approaching last (trainer had no explanation for the poor form shown)(op 2/1) | ||||||